The film is about the complex, passionate and at the same time deeply respectful relationship between two genius directors, a teacher (Meyerhold) and a student (Eisenstein). In the most difficult conditions of the totalitarian regime, adherence to eternal values helped both defend their art and themselves in it, preserve honor and dignity. Their relationship, creative and everyday actions are not only an artistic, but also a moral testament to future generations.

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The story of Marshal Vasily Konstantinovich, a dedicated Red Army commander who was killed in Stalin's "purges." The film attempts to study the fate of the country through his biography, and unlock the riddle of the show trials of the thirties.

Two boxing promoters travel via time machine back to the days of Hercules, who must save them from Genghis Khan and the Mongol Horde.

Poetry in motion as an aging, reclusive painter sets out into the wilderness to create a final masterpiece and obtain a kind of "divine affirmation" that his life spent as an artist has not been in vain. Meanwhile, a young boy looks on documenting his observations of the artist at work, which becomes the text of the poem and narrative for the film.

A comedy writer's need for approval leads him to a wonder elixir that bends his world into a surreal landscape of comedy tropes, which forces him to explore his own worth outside the writer's room.

A documentary about the making of Jane Campion's 'The Portrait of a Lady'.

The first attempt in the history of Russian documentalism to understand what was the historical moment in which Anatoly Sobchak appeared in the political arena what his role in the history of the country was and, finally, why he suffered as a politician collapse. Perhaps his ideas were too advanced for his time?

Spirited American heiress Isabel Archer travels to Europe, where she navigates a complex web of relationships, ultimately committing to a fateful marriage to the charming but cruel Gilbert Osmond. This leads to profound disappointment and a tragic realization of her own choices.

PHANTASMAGORIA OF THE INTERIOR is an audiovisual essay devoted to Walerian Borowczyk's film THE STRANGE CASE OF DR. JEKYLL AND MISS OSBOURNE. Utilising the materials of the complete, restored version of the film, and its French language soundtrack, the film offers a new way of looking at, understanding and appreciating Borowczyk's intensely cinematic art. Particular attention is paid to a painting by Vermeer of a pregnant woman, introduced early into Borowczyk's film, and reappearing at key moments. Beginning from this painting - its content, style, and historical background - particular aspects of the film are explored: its unusual pictorial compositions; the mingling of sexuality with violence; and the association of men and women with (respectively) open and closed spaces. The film argues that Borowczyk brings a surrealist sensibility to his free adaptation of the Jekyll and Hyde story, especially emphasizing the transgressive, revolutionary role of the free-spirited Lucy Osbourne.